This allows our protagonist to go hands free, is a genuine technological marvel that you can understand why they are being used so frequently, are prescription so are genuinely needed to see, and offer a wealth of useful tools that add to the film’s experience and even adds in some comedy moments.Īs the characters explore Sarah can call up maps to find her way, or brings up Wikipedia like entries that we can read instead of having to listen to too much expository dialogue. Far from being just a handheld footage effort, this is completely shot through technological eyeglasses that definitely aren’t Google Glass (wink, wink). JeruZalem plays it’s strongest card in the way in which the film is shot. Luckily our two leading ladies bring a friendship to life, meaning this chalk and cheese pairing works, as we see that Sarah’s reclusiveness is the result of her family tragedy. Our two female heroes are fairly standard, with the bright and bubbly Rachel coaxing out the shy and reclusive Sarah. They soon change course when they meet an Indiana Jones style anthropologist who is going to Jerusalem to investigate cultural references to the end of days. Recovering from the death of her brother, Sarah ( Jadelyn ) is convinced by her best friend Rachel ( Grobglas ) to venture to Tel Aviv. So, we have zombies, found footage, American tourists is there anything new to be found here? Thankfully, there is. Directed by the Paz borthers, Doran and Yoav, this Isralian horror uses a couple of American tourists to both explore Jerusalem, as well as helping to create a more accessible horror for big audiences. Most ideas may seem to be exhausted, and while it’s true that JeruZalem is merely rehashing and revisiting ideas that have been done before, it also does it all very well and has a few tricks up its sleeves.
Once again horror finds itself at the found footage door. Synopsis: Three American tourists are trapped in Jerusalem during an apocalyptic event. Jeruzalem reviewĬast: Tom Graziani, Yael Grobglas, Danielle Jadelyn, Yon Tumarkin Pin Jeruzalem review: Exciting and overwhelming, but also nerve-wracking and cruel.
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